Baramulla Review: Manav Kaul's Film Is A Unique Blend Of Psychological, Political Horror Soaked In Tragic History
Baramulla offers a bold commentary on Kashmir's complex socio-political unrest. Manav Kaul and Bhasha Sumbli deliver a nuanced and heartfelt performance that carries the story with depth and authenticity.
Inside Perspective vs. Filmmaker's Vision
When portraying diverse environments and their tragedies, does an insider’s viewpoint and personal experience ensure authenticity? Or can filmmakers tell these stories regardless of their background? Personal history helps in achieving an objective portrayal, as seen in Aditya Dhar’s Baramulla.
"His voice as a Kashmiri Pandit finds an echo in this tale that’s gut-wrenching, spine-chilling and mythical in equal measures."
Story Background and Themes
In 2016, Aditya Dhar wrote a short story about the Kashmiri Pandit community forced to flee their homes during the tragic 1990s exodus, which inspired this film. The narrative, shaped by Aditya Suhas Jambhale’s vision, integrates supernatural elements throughout.
Plot Summary
The film, set in 2016, follows DSP Ridwaan Shafi Sayyed and his family who have recently relocated to Baramulla from Reasi. Haunted by PTSD after a hostage crisis and accidental shooting at a Reasi school, Ridwaan and his daughter Noorie face new challenges. Ridwaan begins investigating the mysterious disappearance of Shoaib, a child who vanished during a magic show.
"A hostage situation and an accidental gunshot death in a public school back in Reasi has Ridwaan and his daughter Noorie battling PTSD."
The film blends psychological horror with political realities and tragic history, offering a gripping, atmospheric story.
Author’s summary: Baramulla powerfully merges supernatural horror with Kashmir’s socio-political turmoil, delivering a poignant story rooted in personal and collective trauma.
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