Claire Rousay | Feature Interview — POST-TRASH
Post-Trash’s Joseph Mastel talks with experimental pop and musique concrète artist Claire Rousay about collaboration, creative process, and how her latest album connects to an unexpected trilogy.
Discovery and Early Impressions
Last year, Claire Rousay released the critically acclaimed emo ambient pop album sentiment, which first caught Mastel’s attention. He became an instant admirer of her unique mix of Auto-Tune, chaotic sound textures, diary-like lyrics, and a deeply melancholic mood that captures the essence of solitude.
He recalls listening repeatedly to songs such as “head” and “lover’s spit plays in the background.” As he delved further into her catalog, her growing experimentation and innovative approach to sound made her work increasingly captivating.
Exploring a Distinctive Creative Vision
Rousay’s singular method of building music—both in her solo projects and collaborations—stood out for its unconventional structure and emotional depth. Her originality opened new doors for Mastel, drawing him further into avant-garde and experimental genres.
Interview: A Little Death and its Place in a Trilogy
When the opportunity came to interview Rousay about her new album a little death, the anticipation was high. The conversation revealed insights into how purpose and coincidence shaped her body of work.
Joseph Mastel: “a little death is intended to be a trilogy with a heavenly touch and a softer focus. What led you to want to do a trilogy?”
Claire Rousay: “The trilogy aspect is—maybe not unintentional—but I realized afterwards that this record was the third record I’ve made in a specific way.”
Author’s Summary
Claire Rousay’s creative evolution highlights her capacity to blend emotion, experimentation, and intention, culminating in an unplanned yet cohesive musical trilogy.